2023 | BuildOz, Online Commercial | Role | Director, Cinematographer & Editor | Client | BuildOz |
2023 | Forever New, Corporate Video | Role | Cinematographer | Client | Fullstack Films |
2023 | Rathdown St, Corporate Commercial | Role | Cinematographer | Client | Zeller |
2023 | The Women’s Spirit Project, Documentary | Role | Editor | Client | Colossal Films |
2023 | Natalie Martin Watercolour, Educational Video | Role | Cinematographer | Client | Colossal Films |
2023 | Orygen Digital, Corporate Video | Role | Director, Cinematographer & Editor | Client | Orygen Digital |
2023 | The Women’s Spirit Project, Documentary Short | Role | Cinematographer & Editor | Client | Colossal Films |
2023 | HelpPay, Corporate Video | Role | Cinematographer, Editor & Animator | Client | PFC |
2023 | The Giants, Feature Documentary | Role | Editor, First Assistant Director, Second Unit Cinematographer & Animator | Client | Directors Laurence Billet & Rachel Antony |
2023 | The Giants, Advertisement Trailer | Role | Editor | Client | Madman |
2023 | What We Offer, Corporate Video | Role | Cinematographer & Editor | Client | CSA |
2023 | Figure Head Rockeby, Corporate Video | Role | Cinematographer | Client | Cheer Squad |
2022 | Useful Gifts 2023, Corporate Video | Role | Director & Editor | Client | TEAR Fund |
2022 | Bound, Corporate Video | Role | Cinematographer | Client | Colossal Films |
2022 | FAC 2023 Season, Corporate Video | Role | Animator & Editor | Client | Colossal Films |
2022 | SODIA Personal Visioning, Corporate Video | Role | Cinematographer & Editor | Client | Filmtime |
2022 | Oakdale Farm, Corporate Video | Role | Cinematographer & Editor | Client | PFC |
2022 | Blended Service Model, Corporate Video | Role | Director, Cinematographer & Editor | Client | Orygen Digital |
2022 | FAC 2023 Season, Corporate Video | Role | Animator & Editor | Client | Colossal Films |
2022 | Tractor Ventures, Corporate Video | Role | Cinematographer & Editor | Client | PFC |
2022 | Ripponlea House, Corporate Video | Role | Producer | Client | The Local Project |
2022 | Malvern House, Corporate Video | Role | Director, Cinematographer & Editor | Client | The Local Project |
2022 | Who We Are, Corporate Video | Role | Cinematographer & Editor | Client | CSA |
2022 | Why, Corporate Video | Role | Cinematographer & Editor | Client | 2XU |
2022 | Aero, Commercial | Role | Director, Cinematographer & Editor | Client | 2XU |
2021 | Tractor Ventures, Corporate Video | Role | Cinematographer & Editor | Client | PFC |
2021 | Build Oz, Corporate Video | Role | Cinematographer & Editor | Client | PFC |
2021 | Orygen Blended Service, Corporate Video | Role | Director, Cinematographer & Editor | Client | Orygen Digital |
2021 | H2-22, Corporate Video | Role | Director, Cinematographer & Editor | Client | 2XU |
2021 | Freeman International Trailer, Broadcast Television | Role | Editor | Client | General Strike |
2021 | MOST, Corporate Video | Role | Director, Cinematographer & Editor | Client | Orygen Digital |
2021 | Field Guide, Corporate Video | Role | Director, Cinematographer & Editor | Client | Christian Schools Australia |
2021 | Build, Corporate Video | Role | Director, Cinematographer & Editor | Client | BAUM Cycles |
2021 | Change Says “yes”, Commercial | Role | Director, Cinematographer & Editor | Client | 2XU |
2021 | Change Makers, Commercial | Role | Director, Cinematographer & Editor | Client | 2XU |
2021 | A Footballers Guide To Revolution, Commercial Trailer | Role | Cinematographer & Editor | Client | General Strike & Sweetshop Green |
2021 | Our Approach, Corporate Video | Role | Director, Cinematographer & Editor | Client | Hip v. Hype |
2021 | Change Says “yes”, Commercial | Role | Director, Cinematographer & Editor | Client | 2XU |
2021 | Reventon, Corporate Video | Role | Director, Cinematographer & Editor | Client | Reventon |
2020 | Bayden Croft, Commercial | Role | Editor | Client | Hunter Lab |
2020 | Brand Launch, Corporate Video | Role | Director, Cinematographer & Editor | Client | Tear Fund |
2020 | Frankston Leaders, Livestream | Role | Cinematographer | Client | Colossal Films |
2020 | Send it Series, Corporate Video | Role | Director, Cinematographer & Editor | Client | BAUM Cycles |
2020 | Save The Children Ep 3, Educational | Role | Editor & Animator | Client | General Strike |
2020 | Freeman, Television Documentary | Role | Animator & Editor | Client | ABC |
2020 | Ferras & York, Corporate Video | Role | Cinematographer & Design | Client | Hip V. Hype |
2020 | Australian Wakeboard Championship, Corporate Video | Role | Director, Cinematographer & Editor | Client | Wake Boats Victoria |
2020 | Oakdale Meats, Corporate Video | Role | Cinematographer & Editor | Client | PFC |
2019 | The Justice Conference, Corporate Video | Role | Director, Cinematographer & Editor | Client | TEAR Fund |
2019 | Voices for Justice, Corporate Video | Role | Director, Cinematographer & Editor | Client | Micah |
2019 | Rubbish Campaign, Online Advertisement | Role | Director, Cinematographer & Editor | Client | TEAR Fund |
2019 | The Local Project, Online Web Series | Role | Executive Producer | Client | Kintaro Studios |
2018 | Useful Gifts, Online Advertisement | Role | Director, Cinematographer & Editor | Client | TEAR Fund |
2018 | Ripe for Change, Corporate Video | Role | Cinematographer & Editor | Client | PFC |
2018 | SEED, Online Advertisement | Role | Director, Cinematographer & Editor | Client | TEAR Fund |
2018 | Moboliser, Online Advertisement | Role | Director, Cinematographer & Editor | Client | TEAR Fund |
2018 | Ford Escape, Television Commercial | Role | Colourist | Client | Ford / Shimmy Yay |
2018 | Ruskin Elwood, Online Advertisement | Role | Director, Cinematographer & Editor | Client | HVH |
2018 | AFL Sports Ready, Corporate Video | Role | Cinematographer | Client | AFL Australia |
2018 | 3000 Rides, Corporate Video Instillation | Role | Cinematographer & Editor | Client | General Strike |
2018 | Nightingale 1.0, Corporate Documentary | Role | Director, Cinematographer & Editor | Client | The Local Project |
2018 | The CSA effect, Corporate Video | Role | Director, Cinematographer & Editor | Client | CSA |
2018 | EFY 2018 Update, Corporate Video | Role | Animator & Editor | Client | TEAR Fund |
2018 | Renew Our World, Corporate Video | Role | Director, Cinematographer, Animator & Editor | Client | TEAR Fund |
2018 | Timezone LazerTag, Corporate Instructional Video | Role | Cinematographer | Client | Filmtime |
2018 | Thrivor Crew, Corporate Video | Role | Animator & Editor | Client | Thrivor |
Credits
Credits
2023 | Forever New | Client | Fullstack Films |
2023 | Rathdown St | Client | Zeller |
2023 | The Women’s Spirit Project | Client | Colossal Films |
2023 | Natalie Martin Watercolour | Client | Colossal Films |
2023 | Orygen Digital | Client | Orygen Digital |
2023 | The Women’s Spirit Project | Client | Colossal Films |
2023 | HelpPay | Client | The Pearl Film Company |
2023 | The Giants | Client | General Strike |
2023 | What We Offer | Client | CSA |
2023 | Figure Head Rockeby | Client | Cheer Squad |
2022 | Useful Gifts 2023 | Client | TEAR Fund |
2022 | Bound | Client | Colossal Films |
2022 | FAC 2023 Season | Client | Colossal Films |
2022 | SODIA Personal Visioning | Client | Filmtime |
2022 | Oakdale Farm | Client | The Pearl Film Company |
2022 | Blended Service Model | Client | Orygen Digital |
2022 | FAC 2023 Season | Client | Colossal Films |
2022 | Tractor Ventures | Client | The Pearl Film Company |
2022 | Ripponlea House | Client | The Local Project |
2022 | Malvern House | Client | The Local Project |
2022 | Who We Are | Client | CSA |
2022 | Why | Client | 2XU |
2022 | Aero | Client | 2XU |
2021 | Tractor Ventures | Client | The Pearl Film Company |
2021 | Build Oz | Client | The Pearl FIlm Company |
2021 | Orygen Blended Service | Client | Orygen Digital |
2021 | H2-22 | Client | 2XU |
2021 | Freeman International Trailer | Client | General Strike |
2021 | MOST | Client | Orygen Digital |
2021 | Field Guide | Client | CSA |
2021 | Build | Client | BAUM Cycles |
2021 | Change Says “yes” | Client | 2XU |
2021 | Change Makers | Client | 2XU |
2021 | A Footballers Guide To Revolution | Client | General Strike & Sweetshop Green |
2021 | Our Approach | Client | Hip v. Hype |
2021 | Change Says “yes” | Client | 2XU |
2021 | Reventon | Client | Reventon |
2020 | Bayden Croft | Client | Hunter Lab |
2020 | Brand Launch | Client | Tear Fund |
2020 | Frankston Leaders | Client | Colossal Films |
2020 | Send it Series | Client | BAUM Cycles |
2020 | Save The Children Ep 3 | Client | General Strike |
2020 | Freeman | Client | ABC |
2020 | Ferras & York | Client | Hip V. Hype |
2020 | Australian Wakeboard Championship | Client | Wake Boats Victoria |
2020 | Oakdale Meats | Client | The Pearl Film Company |
2019 | The Justice Conference | Client | TEAR Fund |
2019 | Voices for Justice | Client | Micah |
2019 | Rubbish Campaign | Client | TEAR Fund |
2019 | The Local Project | Client | Kintaro Studios |
2018 | Useful Gifts | Client | TEAR Fund |
2018 | Ripe for Change | Client | The Pearl Film Company |
2018 | SEED | Client | TEAR Fund |
2018 | Moboliser | Client | TEAR Fund |
2018 | Ford Escape | Client | Ford / Shimmy Yay |
2018 | Ruskin Elwood | Client | HVH |
2018 | AFL Sports Ready | Client | AFL Australia |
2018 | 3000 Rides | Client | General Strike |
2018 | Nightingale 1.0 | Client | The Local Project |
2018 | The CSA effect | Client | CSA |
2018 | EFY 2018 Update | Client | TEAR Fund |
2018 | Renew Our World | Client | TEAR Fund |
2018 | Timezone LazerTag | Client | Filmtime |
2018 | Thrivor Crew | Client | Thrivor |